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Scott Donohue : ウィキペディア英語版 | Scott Donohue
Scott Donohue (born 19 August 1982, in Newcastle upon Tyne) is an English contemporary artist who uses a wide range of media to celebrate and critique the modern age. His body of work spans a variety of forms including installation art, mixed media, painting and online interactive projects.〔http://www.peoplelovemachines.co.uk/〕 He blends fine art techniques with digital media to create a complex, vibrant style. The artist describes his work as “A simultaneous laugh and cry at modern times”.〔http://www.thebongoclub.co.uk/content/exhibition_PeopleLoveMachines.htm〕 Donohue’s work is often satirical, poking fun at society’s obsession with technology, whilst celebrating sciences potential for positive impact on the future of humanity. == Biography ==
Donohue studied a BA/Hons in fine art at Northumbria University (2001–2004), it was here that he first began to experiment with interactive, immersive installations. It was during this time that he witnessed various haunting incidents that would provide impetus for his work. One experience involved witnessing people recording a beating of a man with mobile phones; this would shape an interest in the darker side of the human condition and a concern regarding technologies potential to distance us from the consequences of our actions. He was accepted for Northumbria University’s graduate fellow position for the year following, where he conducted workshops with digital media and created a prolific series of drawings and paintings, developing a unique style, often depicting dystopian visions of the future. His first show was called ‘Field of Vision’, in the Lab Gallery, New York;〔(Field of Vision, Lab Gallery, New York, USA. )〕 he then went on to exhibit throughout Europe. Donohue won the Noise Festivals ‘Elements’ competition (2006)〔(Noise Festival Elements competition 2006. )〕 and was invited to 11 Downing Street to discuss strategies for exposing young creative talent with key figures from the creative industries. In 2007 he appeared in DIGIT magazine in an article titled ‘New British Talent’,〔(DIGIT Magazine New British Talent. )〕 later appearing in Novel magazine (2011) in a review titled ‘The Beautiful Chaos of Scott Donohue’〔(The Beautiful Chaos of Scott Donohue )〕 as well as other publications.〔(2005- Crossfields: Access: In almost every picture (Wire Design Ltd) ISBN 978-0-9549856-0-8 )〕 He continues to focus on environmental issues and how they interlink with the human condition. This led to his involvement with Common Ground,〔(Common Ground Digital Arts )〕 a digital art group focusing attention on our negative impact on the Earth. Donohue exhibited with this group in the A&I Gallery,〔(The A&I Gallery )〕 Hollywood.
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